Actors/Celebrities

Pioneer talk show host Phil Donahue dies at 88

Emmy award-winning talk show host Phil Donahue.

Frederick M. Brown/Getty Images

Frederick M. Brown/Getty Images

Phil Donahue united a broadcaster’s telegenic appeal, an insistent curiosity, and a taste for provocative topics to create a new genre of television – the audience participation talk show – which briefly took over daytime television and sealed his status as a TV pioneer. The broadcaster, who was age 88, died on Sunday, his family said. No cause of death was given, though his family said he’d “passed away peacefully following a long illness.”  But even though he built his legend on cheeky stunts, Donahue often led earnest conversations on newsy topics. From interviewing former Ku Klux Klan leader David Duke in 1991 as he was running for governor of Louisiana to jousting with conservative activist Phyllis Schlafly, Donahue dug into hot-button issues with the zeal of an investigative journalist – emulating the kind of mainstream media figures who always inspired him. “I grew up in this game with stars in my eyes,” Donahue said in an interview with NPR in 2021. “I always admired mainstream media types. They went right for the jugular. It appeared to me they didn’t have to be popular. They just had to be aggressive and have their facts straight.” Donahue sat his guests before a large studio audience, stalking through the crowd with a microphone, mixing questions from the onlookers with his own queries and – for a time – questions from callers over the telephone. The former radio announcer lobbed questions with a down-to-earth charm and a flair for dramatic pauses so distinctive that impressionist Darrell Hammond captured it on Saturday Night Live. Another SNL alum, Phil Hartman, actually lampooned him to his face in 1989.
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One of Donahue’s innovations was that he spoke to a predominantly female TV audience without talking down to them, highlighting a single topic per show: atheism, abortion, racism. The host himself said controversy was the key to his show’s survival. “The coin of our realm is the size of the audience,” Donahue said in a 2016 interview with the New York Public Media show MetroFocus. “What will draw a crowd, especially to a visually dull program? And we thought: Controversy. Controversy is what will do it.” Born Philip John Donahue in Cleveland, Ohio, he graduated from the University of Notre Dame and worked for a radio station in a small town in Michigan. “I could stop the Mayor of Adrian, Michigan in the hallway,” he told NPR in 2021. “I was, like 21 – I may have looked 16 – and it was kind of a first-grade lesson in the power of journalism.” In 1967, Donahue moved a radio talk show he was hosting in Dayton, Ohio to local TV, and The Phil Donahue Show was born. His first guest was renowned atheist Madalyn Murray O’Hair – who had brought a lawsuit against prayer in schools — and a few years later, his show was syndicated nationally, kicking off a 26-year run in daytime television, mostly with little competition.
His mix of hot-button topics with earnest discussion was so successful that it was eventually emulated by everyone from Geraldo Rivera, Jerry Springer, and Morton Downey Jr. to Oprah Winfrey. Winfrey said as much while handing Donahue a Lifetime Achievement Award at the Daytime Emmy Awards in 1996, noting, “Had there not been a Phil Donahue, I don’t think there could have been an Oprah.” Donahue, speaking with the Archive of American Television, said he was always surprised no one came along to really try copying what he did until Winfrey’s debut in 1986. “Along comes Oprah Winfrey, and it is not possible to overstate the enormity of her impact on the daytime television game,” he said. “In many ways, she raised all the boats with her success. If you didn’t have Oprah, you had to have me. And we were a lot less expensive.”

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Winfrey’s success led many other hosts to try the format, with some featuring increasingly combative and tawdry subjects, including fistfights onstage. Once considered outrageous himself, Donahue found his show beaten in ratings by more explicit programs and retired from daytime TV in 1996 after more than 6,000 shows. He wouldn’t return to a regular TV job until 2002 when he hosted a show for MSNBC called Donahue. He tried emulating the fearless truth-telling he always idolized in mainstream journalism, but Donahue lasted less than a year there. He didn’t hold back when telling NPR why it was canceled. “I was fired because I did not support the invasion of Iraq,” he added. “I thought I was going to be a hit because I was different. Everybody else was beating the war drums. I wanted to get on the air and say, ‘Why are you doing this?’” Donahue said the firing essentially ended his TV career. He did co-direct a 2007 documentary Body of War and co-wrote a book in 2020 called What Makes a Marriage Last with wife and actress Marlo Thomas.
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He married Thomas – a TV star, producer and outspoken feminist — in 1980 after meeting her when she was a guest on his show. […]

Film/Movies

‘Blink Twice’ Star Naomi Ackie Wants You to Feel Her Performance for Yourself

Acting is decidedly not therapy for rising star Naomi Ackie, but that doesn’t mean her work doesn’t hit big emotional wallops. Really, she just wants to share them with you. “Purging out my emotions and performance are two separate things,” she told IndieWire over Zoom while discussing her new film “Blink Twice.” “To make this sound very, very unromantic, acting is my job, and I really love the craft of it. A really special part of acting to me is to be able to make an audience feel, and for you not to be affected and not to use it as a tool for therapy, because that defeats the objective of the craft not being for me, but for the audience members.”

Related Stories Originally conceived under the title “Pussy Island” in 2017, Zoë Kravitz and co-writer E.T. Feigenbaum wrote the “Blink Twice” script and sent it to Ackie’s email inbox a couple of years later. She loved it immediately. “I would have done anything to play Frida,” Ackie said. “I would have done 10 rounds of auditions, but during our Zoom call, we just started plotting, and I knew we were in a really good place, because I couldn’t put the script down.”

In Kravitz’s directorial debut, Ackie leads as the 27-year-old New Yorker Frida. The thrill-seeking protagonist has a wistful spirit, and when she’s disillusioned with her economic circumstances and a ho-hum existence scraping by with her roommate Jess (Alia Shawkat), she still finds time to ponder what her dream life scenario would be. Mostly, that includes a seemingly out-of-character obsession with formerly disgraced tech kingpin Slater King (Channing Tatum); when Frida engineers a meeting with Slater that results in the billionaire inviting her and Jess to party with him and his pals on his private island, she giddily accepts. She has no idea what’s waiting for her there.

“Frida is a character who reminded me of myself when I was 27. This is a girl who has that drive and a feeling of, ‘I don’t know what I’m doing with my life, and I don’t have access to what I think I want,’ and the film shows the lengths of what Frida is willing to give up to achieve that,” Ackie said.

‘Blink Twice’©MGM/Courtesy Everett Collection

Ackie and her captivating performance are at the forefront of nearly every moment of the film, and we’re scarcely not observing increasingly outrageous turns through her eyes. She’s hardly alone — the film’s cast also includes Adria Arjona, Christian Slater, Simon Rex, Haley Joel Osment, Geena Davis, and more — and the cast’s offscreen chemistry seeps into the film’s essential dynamics of what happens when you bond with relative strangers on a remote island.

“I’ve not experienced being on a set like ‘Blink Twice’ where everyone is on set most of the time. There are so many shared scenes where everyone is all together, and you just naturally start to build up the energy,” Ackie said of her time shooting on location in Mexico. “You’re just continuing performance like the camera just turned on, and Zoë and the producers brought together a bunch of people that they knew would connect and who want to tell a good story they really care about.”

Raised in London, the 31-year-old rising star still thinks about the valuable lessons of discipline that she was taught acting inside London theater. “The access to the arts is a privilege we have being in London,” she said. “It’s a rich, very rich city, and my theater training was all about discipline more than the skill.” Oftentimes, she said, Ackie would take the tube into Soho to be closer to the epicenter where theater thrives, and she recalls her early years at acting school at the Royal Central School of Speech and Drama as “really magical.”

BLINK TWICE, from left: Naomi Ackie, Channing Tatum, 2024. © Amazon MGM Studios / courtesy Everett Collection©MGM/Courtesy Everett Collection

“Blink Twice” is Ackie’s first full-throttle thriller, following her turns as Bonnie in Netflix’s “The End of the F**king World” and the eponymous once-in-a-lifetime-performer in Sony Pictures’ “Whitney Houston: I Wanna Dance with Somebody.” Ackie loves taking on complicated characters that go through a life-altering metamorphosis or come equipped with a faulty moral compass — either way, she leads with creative instinct first.

“Instinct is so interesting to me, because the way I see instinct is it’s a practice at first, and then it eventually becomes natural, and then we call that instinct,” she said. “Then, what happened with me, Zoë, and the rest of the cast was that we naturally talked about it so much beforehand. The story became a subliminal thought, constantly whirring around our minds that by the time we got to set; it felt instinctual.”

‘Blink Twice’Amazon/MGM Studios

The summer of 2022 was a whirlwind season for Ackie’s professional acting career. After she made “Blink Twice,” she was also dropping into various other filmmakers’ worlds. “In 2022, I filmed ‘Blink Twice,’ and then I remember jumping on a plane and doing reshoots for ‘I Wanna Dance with Somebody,’ and then I went straight from those reshoots to doing [Bong Joon Ho’s] ‘Mickey 17.’” The delays of the “Mickey 17” release (now set for January 31 next year) allowed Ackie to catch her breath after experiencing a little bit of fatigue from playing different characters for 12, sometimes 14 hours a day.

“Previously, I had thought I wanted to be an actor that was never seen out anywhere because I’m always working job to job to job,” Ackie said. “I learned in that time that, as much fun as that was in that year, to be able to do all of those roles, I need a decent amount of time to ground myself before I go into the next project. Mainly because you get into such a rhythm that you don’t get to remember everything.”

Jumping between franchise roles to indie art house projects gives Ackie an active sense of how to tell a story with real passion. “My new direction is about people and collaborators,” Ackie said of her growing filmography. “Where is the work coming from? That is my burning question now.”

“Blink Twice” opens in theaters from Amazon MGM Studios on Friday, August 23. […]